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Ernest Pignon-Ernest : ウィキペディア英語版 | Ernest Pignon-Ernest
Ernest Pignon-Ernest (born 1942) is a Fluxus and Situationist French artist,〔Deborah Bright, ''The passionate camera: photography and bodies of desire'', Routledge, 1998, p. 180 ()〕 born in Nice. ==Overview== His first work was done in 1966.〔Cedar Lewisohn, ''Street art: the graffiti revolution'', Tate, 2008, p. 69〕 It was a reaction to France's Nuclear Strike Force.〔 In 1971, he exhibited posters depicting scenes from the Commune.〔Bertrand Tillier, 'Les corps piétinés de la Commune: figures de la provocation chez Ernest Pignon-Ernest', in ''La provocation: une dimension de l'art contemporain (XIXe-XXe siècles)'', Éric Darragon (ed.), Marianne Jakobi (ed.), Paris: Publications de la Sorbonne, 2004, p. 301 ()〕 In 1978-1979, his posters of Arthur Rimbaud could be seen all over France.〔Wallace Fowlie (ed.), Seth Adam Whidden (ed.), ''Rimbaud: complete works, selected letters : a bilingual edition'', Chicago, Illinois: University of Chicago Press, 2005, p. xxi〕 In 1988-1990, he made drawings of Naples.〔Philippe Birgy, ''The art of the city, L'art de la ville'', Toulouse: Presses Université du Mirail, 2010, p. 502 ()〕 In 1996, he initiated the collection of international artwork called ''Art Against Apartheid'' alongside Antonio Saura.〔Sophie Perryer, ''10 years 100 artists: art in a democratic South Africa'', Struik, 2004, p. 433 ()〕
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